P. Emerson Williams is a visionary artist and illustrator, whose work has been displayed in galleries and events in Norway, Scotland, Boston, New Orleans, Salt Lake City, Florida and London. His illustrations have also appeared in countless publications, as the artist in residence at Ghastly magazine and as the illustrator for many other Goth and occult publications from California to Virginia, and Lithuania, England and Finland to Colombia, as well as covers for sevel titles from Original Falcon and Leilah Wendell’s book «Necromance». His art can be seen on the front cover of SLEEPCHAMBER’S return to action release “Socery, Spellls, and Serpent Charms”, as well as the Zewizz tribute releases “That’s Romance” (both part 1 and 2). He is a core member of FoolishPeople starting from London productions of Cirxus and The Abattoir Pages and continuing with the forthcoming A Red Threatening Sky on other projects in the works.
Williams’ experimental Gothic.Industrial act VEIL OF THORNS is approaching the twenty year mark in their career, and they continue to build on an ever expanding palette with «salon Apocalypse» and «Necrofuturist». Veil Of Thorns began as a Goth band in the early 90’s club scene in Boston but steadily moved toward a more eclectic sound. Not afraid to use any influence – you will hear styling’s of goth, hip hop, industrial, classical, and just about the whole kitchen sink. In 2009, VEIL OF THORNS formed a creative alliance with Inner-X-Musick, the label and music distributor run by the infamous John Zewizz of SLEEPCHAMBER fame.
Coming to fruition in 2010 are two releases from CHORONZON, P. Emerson Williams’ chaotic project whose twin roots lie in industrial and black metal music. CHORONZON, began as two separate and entirely unrelated projects with the same name: the eastern half was a Boston/Florida based black metal-styled band formed in 1986 by P. Emerson Williams, while its western counterpart was the San Francisco old school industrial project of Demimonde Mesila Thraam. In 2002, the two respective CHORONZONs became aware of each other via the internet, and agreed to share use of the name, before going still further and collaborating musically.
Prior to the merging of CHORONZONs, the East Coast CHORONZON released of a series of self produced cassettes before being signed to the record label Nocturnal Art Productions in 1998, and released the album «Magog Agog». Three more albums followed, in which the sound moved further away from conventional black metal into industrial and experimental territories. The first release from the conjoined CHORONZON was the double album New World Chaos, produced in 2005.
If that is not enough, P. Emerson Williams has more bubbling under the surface. Keep an eye out for renewed and exponential activity from kkoagulaa and Mythos Media in the coming year and the move of Necrofuturist {TRANS}_Mission, his radio show on Radio Nightbreed from web streaming to Sirius/XM sattelite radio.
Nightbreed Recordings, in association with Pray Silence.org, The Church Of Nightbreed and Radio Nightbreed present “The Nightbreed Alldayer 2009!” (and Gothic Sounds Of Nightbreed 5 launch party)
On Sunday, 6 December 2009 At "The Purple Turtle" Camden, London, England! Doors open at 3pm, event ends at 1am. There will also be a pass-out system until 7pm. Tickets cost £15 in advance and £20 on the door (subject to availability) Special launch party for the long-awaited "Gothic Sounds Of Nightbreed 5"!!!! Everyone who buys an ADVANCE ticket for "The Nightbreed Alldayer" will be given a FREE copy of "Gothic Sounds 5" as they enter the club on the day of the event!!!!! Running Order: Two Witches (Finnish Gothic legends-first London show in 8 years!)
Midnight Configuration (Satanic Gothic stalwarts-first London show in 7 years!)
13 Candles (Legendary 90’s Nightbreed Gothic band – first London show in over 10 years + re-formation gig!)
Lupine (Top Nightbreed Gothic crew- first London show in 4 years !) + surprise guests +++ The entire event will be streamed LIVE over the Pray Silence website for those members unlucky enough not to be there!!!!! To join go to: www.praysilence.org Also DJs will be setting the floors alight in between bands with a collection of classic goth, 90’s gothic underground, quality 80’s and darkwave only. NO TECHNO, NO TRANCE NO WOOLLYHEAD! PURE GOTH AND GOTHIC-EVOLVED MUSIC ONLY. DJs include (with more tbc): Jon the Goth(Inquisition), Zynthexia (From Finland) DJ PO (Carnival Of Souls) This event will be THE event of the year, be there or miss out on what will be a legendary night! Tickets can be purchased from the following: Stargreen Box Office Ltd 020 7734-8932 (Credit card hotline) www.stargreen.com (Internet credit card orders) In person: Stargreen Box Office Ltd 20-21a Argyll St London W1F 7TT Or Resurrection Records Rear Basement 228 Camden High St London NW1 8QS Or via mail : Nightbreed Recordings (cheques and postal orders only + include a self addressed stamped envelope) 44 Ogle St Hucknall Nottingham NG15 7FR For all the latest info on this event and anything else to do with the Global Gothic Underground join: Pray Silence/ The Church Of Nightbreed at: www.praysilence.org
Nightbreed recordings reserve the right to change the line-up of the event, no refunds given. Refunds will only be furnished in the event of cancellation
This was another step in the creation process for Cognitive Dissonance, taking the Cognitive Dissonance Prolix posts and turning it into a series of strange dialogues. In the process I managed to take the thousands of words I'd written out and begin restructuring as verses and shorter bits.
My fine colleagues at Alterati.com let me hijack the show and with the help of James Curcio and Anna Young, what you can hear here was dramatized:
This unique episode takes you through a number of open-ended tales, told by the voices of a schizophrenic internal monologue. It can be taken as the voices in the mind of a sleeper, on the brink of sleep, or a mental patient, strapped into a bed in a moldy room in an asylum. Maybe these events happened, or have yet to happen. That’s for you to decide.
In addition to your loving host, this show features the voice acting talents of P. Emerson Williams and Anna Young, and the music includes much atmospheric material from Veil of Thorns and Ariana van Gelder.
Strap yourself in, put on the headphones, and enjoy the show.
Here are the first embryonic early tracks interspersed with short P. Emersonite bursts for you, my darlings. Vocalists don't usually like to have anyone hear anything but the most spot on, confident performances, but I'm going for a feeling and a story, and these are my sketches.
The mixes are my usual thick and resonating things, as they were before I sent them off to the masterful mastering of Ari. Contents need to be decanted as they may throw off a sediment....
The image is the gateway to the file, and the player below starts the stream.
The news about the Pirate Bay conviction has gone all over the web over the last few days, and I was asked to weigh in over at Computer Shopper magazine after which I felt compelled to expand on my thoughts. I chose to do so at the kkoagulaa blog since some of the surrounding issues are addressed pretty thoroughly in thee kkoagulaa manifestoooo.
On the Veil of Thorns front, we have decided to show our support by releasing the full Veil of Thorns back catalogue as a torrent on the Pirate Bay site. We would appreciate it if everyone reading this would download the torrent, seed it for as long as you can to keep it alive and pass the torrent along. If you have a music blog, it would be lovely if you'd post any of these releases with links back to us, to the statement on kkoagublogg and weigh in with your own thoughts.
I would love to get a conversation going about every aspect of this issue. We're all in flux, and creativity in all things is needed more than ever.
More Cognitive Dissonance Transmissions coming later.
Torrent info:
There is a thought that occurs to me as I drive past the many gated communities in this ritzy area of Florida. I'm glad the real estate speculators, Disney executives and yuppies are walled in and kept safely from the rest of us. We just need to lock the gates from the outside. I would love to see the major labels and movie studios come up with the perfect impregnable DRM, so they can be left to rot within their walled gardens.
This time is the best possible opportunity for true artists to get creative with ways to make a living. Under the old label system, it was mainly the few, the malleable, the aspirational among artists who benefitted. The RIAA argument that piracy hinders artists from making a living is bollocks. Music has always been a hard gig, it's just that now the majority are on the treadmill of writing, production, release and touring for themselves instead of a group of suits who lend them cash in return for the artists indenture.
This torrent was created to show dissent with the ruling, and in the spirit of freedom, that creative chaos which hidebound institutions fight with the impulse for stasis and death.
-P. Emerson Williams
Location:
In the Space Between Space
Current Members: P. Emerson Williams – (Choronzon, Network, Nocturne, Voyager, Lead Reign) - Vocals, Guitar, bass, cello, keyboards, programming James Curcio – (Babalon, subQtaneous) – Drums Ruddy Bitch – Drums, Electronic Soundwaves, percussive Manipulations
Releases: Demo 1991 – Cassette – Remastered 2008 Study In Decay Demo – Cassette - 1992 Legemet Og Stemmen Demo – Cassette - 1993 Lust Beyond Flesh 7» ep - 1994 Cafe Flesh CD - 2002 Birthed CD – 2002/2006 Legemet Og Stemmen Demo Remastered CD - 2006 Manifestation Objective CDR/Online Release - 2005 – Remastered Edition + Bonus Tracks 2009 Cognitive Dissonance CD – 2007 The End of the Beginning – First album sessions 1992 – Remastered 2008 The Dead God Sessions CD – Second lineup album sessions 1996 – Remastered 2008 Live WMFO 1991 – Fall 2008 Live Halloween 1992 WMFO – Fall 2008 Bats in the Belfry 1994 Live – Fall 2008 Salon Apocalypse - Winter, 2009
The book will be out in the Summer of this year so if you know there’ll be a release, with title, for late 2008 release please include that.
URL's: veilofthorns.com/blog mythosmedia.net - Label alterati.com/blog – James Curcio, Managing Editor, P. Emerson Williams, contributor
Initially the intention was to play dark Jazz with electronic/industrial and orchestral elements. This vision has yet to be realized, obviously. The world of Jazz rejoices.
Nobody asked me to, but I haven't thrown out a random music podcast in a while, so I thought a little something for this fine evening might be aiight.
This is a collection of some of the music I have composed thus far in 2008. Everything in this podcast was created for the audiobook of Fallen Nation which is being podcast on Alterati.com.
In coming up with soundtrack music, I work in a wide array of styles, which is extremely rewarding, creatively. What the narrative calls for takes me outside my habitual sonic territory and forces me to rethink my approach every time.
I'd like to know what y'all think about this little cross section. It's a small amount of recent work, but an eight hour file is a lot to ask any one to listen to.
New Veil of Thorns album is well on its way and big plans. More on that later.
As all came Crashing down, We could not help but laugh Draining blood to function on belief Factious stream counter to all pleas Reclaim vision, Howl like wolves Learn to love the crack of the lash Chambers full, envy and returns distorted On the sharp edge advance changes design
Formless, Unsullied, Holy, with indigent longing Hollow ravenous greed and profits twisted Resting on the firmament adapts intention The innocent Break off, Contemplating dispersions quelling Deplete to pour out acts in certainty Factious blood counters all entreaties
My Inner Sanctum
In a shaded doorway Watching the spirits at play, Through a cracked and shimmering window to the world; Through my surprise, welling up in my eyes: Your soul; Bleeding, old; a deep well of love: Sepulchral, cold.
The crowning glory swathed in fear, The brave action recoiling into futility. To my knees glancing upward, There flies pain: mine.
Deep ecstasy traces desire. Hidden places, lost hold; No one to sustain reality, My love erases me. I turn around to go, The world around me flows through my body. The bitter realization contains the happy seed: yes, me.
Weak and stumbling, Gloriously breathing still dawn’s air, That part of me now lost forever, It wanders lonely in the dark. Battle-weary I remain Inconsistency remarked, Though seemingly complete. The soul bears not Such vacuous conceit. God damn you! How can I bear to see your face? Your every tear reveals my cowering disgrace. To my knees, glancing inward: Imprisoned: My inner sanctum.
Exaltation in Ascendancy
Weeping alight, Drawn in too tight Warnings too late are told in our plight The haints come with parched, red grins Celebrate this day our irredeemable sins
Nocturnal professions come into nothingness Lifts our burdens, becomes our hidden weapons Wailing by the window in the grief of the proud Dread failings wrapped around us like shrouds
A soothing breeze, a haunting phrase Leaks out from behind the gate Secret passions worn like a medal Truth be told, trust is never to be shown
Worship of Disclosure
Thought shall inaugurate the fall of fear The fall eliminate the life that was The life that was can never have been Lie turns back on lie; behold Fear shall die with its slaves Visions shall lie, telling of the fear of death Laughter shall erase this carnage of thought
Fear ridden spectres flitting by Still their fetters bind your soul Stronghold of corrosion let burst The floodgates of dead gods desires Move on by in disgust Slink through the shadows of infinitude Killing the will, slipping back Back to that which never was
In distrust lie the possibilities That were stillborn in haloed fields We’ll tear the cities down falsehood by falsehood
Manifestation Objective
Soul fire kisses, a hapless passion Upon the pulse of the altars of madness Radiant visage glowing words on flesh Remembrance of my deaths shadow Take my hand personified Leads you down
Bound to the end of time Strewn about like gravel Blown like glass Where lunacy comforts
Draw In, Wind Down
Wheels on wet road greet my waking eyes Halted by the touch of memory I smell the rain and hear its song This bed will not let go of me Nor the thirsty, feverish day get off me
Draw in, wind down
I still feel the touch of the nocturnal breeze The seeds are flung at the remains; reasons found
Dream Shadow
Solemn grey – the sky evokes my Angel Walking in the rain, I’m not alone White lace, wet lace light and clinging Clinging to the face of the forest I want to sleep in the rain, in the snow Warm and safe under the snows ice hands
I fall and am safe I sleep and fear the face I fly and am no more And am no more
Sleep pulls me down into silken sepulchers Born away on seas of sound I cry out A breeze soothes my bitter mind on the crimson plane
Wrapped in those I love I awaken to dawn caresses And they are no more
Can’t stop Laughing (The Beauty of Drowning)
Souls defied, deep penetration tearing asunder liquid desire. Inner strength, all-consuming turmoil pulls me down, pulls me under the black surface.
For all I love I give you this; (Christians to the lions). As we gaze upon the black water; (you pull me under). Speak to me of how I love the pain. I can't stop laughing, I can't stop laughing! (The beauty of drowning).
We lie side by side, blowing sparks gazing into the screaming silence. Under the birthing moo we pray, pray to be together for all time.
Undergrowth Silent with Want
Ice like claws languid in the damp Memory fades, life drifts, blood dries Spreading out among the leaves The end begins, birth is everywhere
Embrace of roots; here is everywhere All life is one – we are here Lost in forever, hearing, feeling Seeing all
Fated, Cascading; Submerged
No-one ever thinks about how it’ll end Line after line gone up in smoke with fire as your only friend All the thought of a lifetime with no conscious evolution One cannot recall where it began to slide
Lost beneath the debris You can no longer tell which way is up We seem to count on forever One automatic pull on the lever
The vital engine roars not trusted to deliver The pain it will subside and make the muscle bigger Dance victorious on our aching bloody feet One more time, let’s hear the beat and spread our joy like opened veins
Come, let us wait here hiding beneath the snow Centuries shall pass maddeningly as we watch them grow Angels watching over us, attainment purified Death, rebirth, life death, in snowy spirals fly
Force release virtual discordant hold of defense substitute pale vicinity gliding pseudonyms gravestone figures vitriol leitrim
Extend Inward, Breathe Out
(instrumental)
The Gathering World Withdrew Its Fury
Lay me down – I fear no more The longing is subsiding I’ve locked the door – I’ve freed my mind It’s only you and me It’s time, let’s go
And as the sands of time conspire to erase us It will be done
Dispersed in flight – we are alone The vision slowly fades Close my eyes – choke my cries Now we’re going home
Some strange writing and art will be uploaded to this online reader as we go along. I wouldn't dare tell you the experiences that lay behind the cleansing that was the writing here. I may bring the Panic Pandemic book here for all to see for free, depending on either having time to spare, (not likely), or finding an automatic way of flattening layers into one in pdf files.
The words and much of the art are inextricably linked to the creation of the Birthed album. I wonder how many would feel like dancing after listening and reading at the same time...
An exchange with someone writing a book on goth brought up the fact that I had, through odd circumstances and band personnel issues, I no longer had a copy of the debut Veil of Thorns demo, nor was the dat tape with the mixdown in my possession no longer. ("How you musicians can let things like this happen, I don't understand" said he.) That led me to dig through 4 and 8 track master tapes to see what I still had. No longer having the equipment to play this stuff, I had to do some serious beatmapping and quantizing, but left rehearsal complex ambientia, artifacts and tape quirks.
The debut demo from Veil of thorns, recorded on primitive equipment in a basement rehearsal complex in Boston. Instrumental tracks were recorded all at once on two tracks using two ribbon mikes and a direct line for Ruddy Bitch, leaving the other two for vocals and a couple additional guitars.
the noise of other bands can be heard at quiet moments.
Lineup:
P. Emerson Williams - Guitar, Vocals Jarrett Laitinen - Guitar Catherine Chenoweth - Bass Ruddy Bitch - Drums
Tracks:
Void Utopia Tear the Cities Down Sanctify (Drowning) No Claim Dreamshadow (Falling) Re-Creating Space-Time Crimson Smile Nod
MUSIC TO DIE FOR BY MICK MERCER Cherry Red Books £17.99
My fifth book has now arrived. It is 624 pages long, containing individual entries on 3,581 different bands, from 70 countries, with 183 photos. It covers bands from the beginning of these scenes to the present day and wherever possible contains full line-up details and discographies as well as unusual facts revealed by many of the bands. This is the biggest guide ever printed about the underground scenes in which Goth, Post-Punk and all things noir co-exist with equal splendour
You can find this on Amazon, Barnes & Noble (etc) but if possible please use the link below to buy direct from the publisher. They accept Paypal and for such a chunky book they’re doing a very cheap deal on postage. Content details behind the cut.
This time around I am delighted to have discovered details on many countries I had never been able to infiltrate before. The world unfolds as follows:
Argentina - 31, Australia - 75, Austria - 22, Belarus - 3, Belgium - 28, Bolivia – 7, Brazil – 53, Bulgaria – 11, Canada – 77, Chile – 24, Colombia – 28, Costa Rica – 2, Croatia – 6, Cuba – 2, Czech Republic - 13, Denmark – 12, Ecuador – 4, Egypt – 3, Estonia – 2, Falkland Islands – 2, Finland – 47, France – 174, Germany – 346, Greece – 35, Greenland – 1, Hungary – 7, Indonesia – 1, Ireland – 13, Israel – 2, Italy – 172, Japan – 25, Kazakhstan – 2, Latvia – 3, Lebanon – 2, Liechtenstein – 4, Lithuania – 11, Luxembourg - 1, Macedonia – 5, Malta – 1, Mexico – 60, Monaco – 1, Netherlands – 49, New Zealand – 14, Norway – 28, Pakistan – 1, Paraguay – 3, Peru – 6, Philippines – 8, Poland – 36, Portugal – 55, Puerto Rico – 9, Romania – 20, Russia – 70, Serbia – 1, Singapore – 2, Slovak Republic – 6, Slovenia – 3, South Africa – 4, Spain – 84, Sweden – 93, Switzerland – 31, Thailand – 5, Turkey – 6, UK – 579, Ukraine - 11, United Arab Emirates – 1, Uruguay - 5, USA – 1092, Venezuela – 6 and Yugoslavia – 5.
Musically we have representatives from these distinct and Goth-related genres:
Please spread the word now that it’s out! I hope you find it worthwhile and useful, and I obviously want as many people as possible to do likewise. Your help in circulating the news is much appreciated.
I have to say I'm aglow from reading this one. One sends out ones creations to be reviewed and what comes back is usually expected. Sometimes what is written is surprising, sometimes completely off the wall, to the point that you want to check and make sure you sent the right CD. But when it's understood, whether the review is positive or not, that's one of the greatest rewards.
VEIL OF THORNS COGNITIVE DISSONANCE Mythos Media
Although working at another end of the noisy bastard spectrum to History Of Guns, Veil Of Thorns, and other P. Emerson Williams projects, provide the same alternative. Just when you have become used to experiencing your guitar stimulants, your ethereal relaxants, your electronic placebo, along comes Doctor Thorns, like a knight in deliberately ill-fitting armour and bellows ‘No more!’ causing all patients to fall from their beds. Where a lot of old-school Industrialists make deliberately obscure, ugly amateurish trash and new Industrialists churn out whatever club-friendly sounds they hope will land them a big record deal, there are some artists wading sternly through the same muddy waters with more artistic sensibilities. Veil Of Thorns may make threatening music but it is not without gentler asides, and often presents itself in alluring form. This is their most stylish work, but some of the thorns have an extra edge.
It’s really just down to P. Emerson Williams on virtually everything but the live drums of James Curcio, whose alarming novel I am currently reading. That’s the thing – music and other genuine influences, with P. himself a very talented artist, as I am sure many of you realise. It infuses what might be a trudging sound and throws light into murky corners. ‘Peripatetic’ has a dark rhythmical flow below a bright needling guitar and the drums stay furtive, the vocals commendably aghast, the song briskly cantering into action. It is actually hard to follow the vocal narrative but maybe that’s a good thing? ‘A Weirdness Less Expressed’ is great. If ever robots develop their own Thrash genre with a glaring sheen and viciously seedy bass pulses they will point to this song as a formative spark; more keenly urgent vocals and liquid guitar unusually catchy at times.
‘The Enigmatic Rarely Atone’ is slippier, as guitar slides away from the gleaming, undulating core. ‘Fallacy Decides Initiative’ lurches off after the seamless intro into a sighing, tumbling exercise, but ‘Delusions Of Excitement’ has low key, sweeter sounds and a dignified comeliness, deeper slopes and a playful atmospheric element. ‘Surgically Dream Like’ does what it says on the bloodbag, the cello providing a blurred setting, as though orchestral ocean liners were calling to one another, Industrial whale song!
‘Languishing In The Rusting Valley’ is not the worse holiday brochure ever, but a fractious combination of tingling guitar and grating rhythm in a plainly enjoyably melodic cacophony, as pert as the ungainly ever get. ‘Corrode And Engulf’ is deep growliness, like an ambient intestinal voyage. ‘Night Access Hallucination’ is a weird entity, being spindly, addled art-rock, with a touch of the Frank Zapata about it, with ‘Anomalous Breaks’; fun, not fearful. Austere, like monks hungover on mescaline, and then the title track itself sends you home with a cold bowl of sonic porridge.
They’re one of the few creative outlets for these more tangled sounds, and this gets the thumbs up, being a fine record, and one which some people might find easier to get into than earlier works as it’s got elements you’d recognise. Okay, you may develop extra thumbs with prolonged exposure, but what is life without risks?
Gothis Beauty Reviews Veil of Thorns - Cognitive Dissonance
The latest issue of Gothic Beauty is on the racks, choc a block with reviews, interviews and some great articles and photos you'll wanna check out. Their reviewer had some kind things to say about the latest Veil of Thorns album:
Veil of Thorns
Cognitive Dissonance
Mythos Media
Veil of Thorns is an edgy, eclectic blend of electronica and metal. It reminds me of early Bowie in that it pushes the envelope, shakes up the status quo, and demands attention. We're entering a new world of music indeed - one that's refreshingly different. the Cognitive Dissonance title track is ominous, like free-falling into a dark abyss. "Peripatetic" pushes us over the edge of insanity. "A Weirdness Less Expressed" can only be described as enigmatic or avant-garde. The instrumental "Surgically Dream Like" feels like anesthetic wearing off while you're on the operating table - terrifying! (Athena) - Gothic Beauty
This fall will see "Salon Apocalypse", which looks to push things a bit further.
Side-Line Reviews Veil of Thorns - Cognitive Dissonance
The following reviewer at Side-Line was looking for familiar grooves and hooks in Cognitive Dissonance and found out that they reveal themselves over time. The only thing I want to clarify is that the instrumentation of this album is guit-bass-drums-vox except for three solo cello pieces and one cello-vio-lin-drums-vox piece. No electronic elements are present.
Veil Of Thorns - Cognitive Dissonance (cd Mythos Media)
Posted on 22 Oct, 2007 - Bookmark at del.icio.us VOT brings a mix of guitar parts and electronic arrangements. From the debut song till the last one this band brings a quite chaotic sound. It all sound like the songs are loosing their power in a dense sonic fog. I’m missing carrying parts and a kind of melody in the choruses. The only song that really caught my attention is probably the less representative ones from the album. The instrumental “Surgically dream like” is a quiet song that would fit as soundtrack. It’s a bit psychedelic as well, revealing another side of the band, which remains rather hidden for so far. An album with different ingredients and ideas, but too chaotic and less coherent in the end! www.mythosmedia.net (DP:4)DP.
It is time for a revolution. Are you on board. Sure, the Industrial Godfathers are entertaining… but wouldn’t you want to be a GOD? Don’t you think YOU should be a GOD?
April 1st through the 4th will show all the talent that it is out there. On the 4 Because God Told Me To Do It FREEDOWNLOAD releases you will hear the beginning of a REVOLUTION.
June 1st will see the realization of part two of this process. Rethinking/Remaking/Retooling SLEEPCHAMBER classics, by artists of today. Will you be there?
No longer will you need to spend your money on over priced CD’s by artists who are living on WHAT THEY USE TO BE! Musick is meant to be shared. Become a legend. Become FREE. Become a GODZ.
In his last years, Williams dwelt in Damask silk, where the Gothronomicon (O Az-If) was written. In art, in the Dictionnaire Infernal, P. Emerson Williams is depicted as a nude man with dragon-like wings, hands and feet, a second pair of feathered wings after the main, wearing a crown, holding a serpent in one hand, and riding a wolf or dog.
The "good" P. Emerson in recent use is largely
a literary device (e.g., Maxwell's P. Emerson),
though references to good P. Emersons can be found in Hesiod and Shakespeare.[1] In common language, to "P. Emersonize" a person means to characterize or portray them as evil, or as the source of evil.
